Piano at the Skypark: the Local Network

I was recently invited to play the piano for an art exhibition at Skypark business centre in Glasgow! How did it happen? Well…DSC_0613

If you remember, a wee while ago, I played keyboard for the Milngavie-based Henry Ford Band on their debut album, The Angry Young Man. That album’s available to listen to on Spotify, by the way, and to purchase on iTunes and Amazon music. At some point I believe there will be a CD released, although I’ve yet to hear further details about this.

Anyway, a couple of local artists, Carla Faulkner and Seana Doherty, were looking for a pianist to play a baby grand piano at the opening of their new exhibition and Geoff Foord, the Henry Ford bassist, suggested that I might be interested, and gave them my details.

Happily, I was available that evening, and since the artists were perfectly willing to give me free rein choosing the music, I felt that this was a feasible task and amazing opportunity. I selected a collection of twenty-or-so Pamela Wedgwood pieces: mostly New Age, smooth jazz background music with a few more upbeat jazzy numbers thrown in, for contrast. They are all pieces I already knew and regularly play for fun, so didn’t require too much preparation, the most difficult being Grade 6 level.

The day (Thursday 31st Jan) arrived, and I was excited. After university finished for the day, I walked along to the Skypark – and, thanks to Google Maps, I only got lost once! The foyer was beautifully decorated with Carla and Seana’s artwork, and the baby grand was lovely. Having had less experience playing grand pianos than uprights, I always find I need to adjust my playing for them. The keys on grand pianos tend to have more resistance and the sound comes from further away, making the instrument trickier to play fast and it is slightly harder for me, as the player, to hear the music in a noisy area. But the grand piano also gives a fuller sound and (as another less relevant point in its favour) is easier to record because you just have to set up microphones at the holes in the soundboard.

I played for almost the entire three hours of the exhibition, with a ten-minute break midway though to warm up away from the door (it was snowing outside!) and eat one of the delicious cupcakes that were provided. Even although I knew the pieces well, playing in a public setting is very different from playing at home. I tried to retain my concentration, but kept getting distracted by the action in the room – it’s probably just psychological, but I felt that any time a person came over to view the pictures behind me, I had to concentrate more to avoid making mistakes. There were also some little children at the event who were excited by the piano, which was adorable!

I did discover that my playing stamina has deteriorated slightly since I finished practicing for piano exams. Where before I was able to play non-stop for five hours, on Thursday only playing for three was pretty much my limit. A couple of songs before the end, I was finding my eyes were struggling to focus on the music and when I got home I fell asleep almost instantly.

That said, even although the playing was intense, it was an amazing opportunity that I really enjoyed. I’ve always fancied the idea of playing background music; I love it when there’s a pianist at restaurants, it makes me want to join in! Having now had the opportunity to try it out, I’ve developed a greater appreciation for the endurance of those players; but I’d also like to play in a similar setting again at some point. The event coordinator at Skypark did ask for my details, so we’ll see if anything comes of that, I guess.

All in all, the experience was super fun and a really great night. Thanks to Carla and Seana for inviting me, and to Geoff for advocating for me in the first place. I’ll leave you with a Pam Wedgwood piece I recorded earlier. Enjoy!

Advent Calendar #2: Away in a Manger

I know I’m cheating with this one, since I recorded it several years ago, but I’m running out of time and, when questioned about what she wanted her carol to be, my sister Jenny immediately responded that she wanted Away in a Manger – both the American and British versions. She did offer an alternative when I told her I’d already created that, but here we are less than a week before Christmas, with nothing recorded, so, here you go Jenny! Your first choice.

Piano Day… Apparently, it’s a Thing!

So, I just learned that today is the 88th day of the year, which can only mean one thing… today is Piano Day! Celebratory glissandi all round!

In all seriousness, though, I’d never heard of the day until I saw it mentioned on the ABRSM Facebook page. Doesn’t surprise me that it exists, though. If earlier this month we observed Pi Day and in May we’ll get to celebrate Star Wars Day, then why not have a Piano Day on equally tenuous grounds? There are 88 keys on a standard piano, Piano Day falls on the 88th day of the year; it’s not like we were using the 29th of March for any OTHER purposes

Besides, it gives me a good excuse for talking about a super cool and exciting piano-related thing that is going on in my life at the moment.

I’ve been working as a Cultural Assistant in museums and libraries in East Dunbartonshire since September. It was while I was on my first shift at the Lillie Art Gallery in Milngavie about a month ago that I met a lovely creative gentleman named Geoff Foord, who is a member of the Milngavie Art Club. More pertinently to this story, he is also a musician in a band, the Henry Ford Band, that he recently created with his friend, John Hendry.

We were small-talking at the front desk, and I mentioned that I play the piano. It was lovely to have a nice conversation on what was otherwise a fairly quiet weekday, but I didn’t expect anything grand to come of it.

Imagine my pleased surprise when, a few days ago, I received a very courteous email from Geoff, asking me whether I would like to play the piano to accompany the band on a few tracks of an album that they are recording! This isn’t like anything I have ever done before. Sure, I’ve accompanied live singing, both privately with friends for fun and more formally while at university, and I’ve recorded piano videos for YouTube using my phone, but to get the opportunity to play in a real recording studio for an established band would be a super amazing experience and, while undoubtedly will require work to make a good job of it, I expect it will also be a lot of fun.

Having talked to Geoff yesterday, it also transpires that, rather than being given sheet music to play from as I would have been used to, I will be given track demos to listen to and, with creative input from the band proper, will arrange an accompaniment around that. This will be a completely new playing adventure for me, but I think, also, it will be a very valuable experience and useful skill to learn and practise.

It’s still in the early stages, with regards to my participation, but I am really excited about this wonderful opportunity that has been offered to me. Provided everything goes well, and they like what I do, this will be great fun and really cool. I’m totally psyched!

If you like, you can have a wee listen to my current favourite song of theirs. I think it has a kind of Razorbills quality, which I really like:

The Henry Ford Band – Diet