Kirsty Morgan Music in sunny Manchester, outside Chetham's School of Music

Guess who’s the new librarian at Chetham’s School of Music?

Hey, guess who’s moving to England! Spoiler alert: it’s me! I’m going to be the new librarian (well, “Head of Learning Resources”) at Chetham’s School of Music in Manchester. And I’m super looking forward to it. Okay, sure, I’m a bit nervous, but I’m mostly excited. It will be a chance to combine my enjoyment of music librarianship with a person-facing role, which I think will be great.

Don’t get me wrong, I’ve very much enjoyed working at the National Library on their Music Retroconversion Project. I’ve learned so much about music librarianship and cataloguing and libraries. And it’s been fun to work on a project that has a definite endpoint and final product. I was also given the opportunity to write three blog posts about the project for the National Library’s Blog – which was really cool. However, I did miss getting to interact with library patrons – they make every day different and I like helping people find what they’re looking for.

Moreover, working in a music school library has kinda been a background totally-never-gonna-happen-fantasy dream for me since university.

Tag Cloud Schema

When I was studying my ILS Masters at the University of Strathclyde, we were assigned to create “schema” (i.e. different models of organising knowledge) for a set of 10 items. I chose a collection of showtunes for solo voice with piano accompaniment, and arranged them in ways that would best suit a hypothetical Musical Theatre School Library. It was one of my favourite assignments because, aside from the obvious perk of working with showtunes for uni credits, I found it really interesting to think about what information would be needed by the school pupils if they were looking for audition pieces. I enjoyed the problem solving aspect of arranging my schemas to suit that. Things like key, range, time-signature, tempo, voice type, number of bars, etc. didn’t obviously fit into the standard bibliographic categories, so I chose models that gave me the freedom to customise.

This was the first spark that made me think it would be really cool to work in a music school library, but I didn’t seriously think that could happen, since there are very few such jobs in the country. Therefore, imagine my delight when JUST as my National Library contract was coming to an end, the position at Chetham’s School of Music was advertised!

Chetham’s Library

So, obviously I applied and was pleased when I progressed to the interview stage. I travelled to Manchester by train for the interview, and it was my first visit to Manchester ever. I was so excited. I went down the day before and stayed at a nearby Travelodge. That evening I had a sausage supper from the local chip shop, and the staff there were super friendly and wished me luck for my interview. I completed the interview while wearing a mask (which was definitely an experience). And the people at Chetham’s were all very lovely and the school was this really pretty castle-like building in the centre of Manchester. What’s more, the school shares a site with Chetham’s Library, the oldest free public reference library in the English-speaking world. I didn’t get the opportunity to visit it because it’s currently closed, but I will at some point because it looks just like something out of a fantasy story. I’m sure there’s all kinds of magical tomes and cursed writings and probably a ghost or ten hiding among the stacks!

Anyway, shortish story shorter, the people at Chetham’s School liked me and offered me the position and I start in November! How utterly, awesomely, amazingly super is that?!! Yay!

I was Anti-Rickrolled!

I was Anti-Rickrolled by a catalogue card today! In case you don’t know, Rickrolling was a trend few years ago, where a person’s expectations of seeing a funny, cute, interesting, exciting, etc. video were subverted by the video instead turning out to be a clip of Rick Astley singing the song Never Gonna Give You Up. The internet is weird.

Working as the Music Retroconversion Project Junior Editor (pre-COVID)

So, anyway, in my job as Junior Editor on the National Library of Scotland’s Music Retroconversion Project, I review hundreds of music records each day, against scanned images of the original catalogue cards, to check they are correct to go into the online catalogue.

The batch I am working on right now initially shows the front of the card with the title, performer and shelfmark of the music record, then you click to see the back of the card, which displays a list of song titles.

Imagine my excitement when one of the cards I was reviewing was a Rick Astley album! I even said out loud to no-one, “Oh my gosh, am I actually going to get Rickrolled by a catalogue card?!”

My somewhat-unjustified elation was cut short when I clicked to see the back of the card – and the song wasn’t there. There was a whole bunch of different Rick Astley songs that I’d never heard of, but not the famous one! Not the one that was used to subvert, annoy and prank expectations. And thus, by not having the song on the record as I’d been anticipating, I was if anything MORE Rickrolled that I’d have been otherwise.

Well played, catalogue card … Well played.