It’s Piano Day… again!

Gosh, is it Piano Day again, already? Last year, I celebrated with this post about joining the Henry Ford Band. So much has happened since then!

I played keyboard with the Henry Ford Band, and they’ve released their album on Spotify, Amazon and iTunes! My acquaintance with the bassist then led to my being asked to play the piano for Carla and Seana’s art exhibition at Glasgow Skypark, which I really enjoyed and wrote about.

I’ve written four dance reviews with Bachtrack, and honed my skills at writing reviews that are less enthusiastically complimentary that many of my others. I do find writing negative reviews harder because I don’t like being mean, but I think it’s important to be able to critique constructively, so it’s a good skill to have practised. I don’t think I’m alone; I’m sure it’s a common challenge for many critics who value being fair and genuine.

I finally got around to actually sitting (and passing) the ABRSM Grade 8 piano exam, which makes applying for certain jobs considerably easier. Plus, it’s nice to have the official certificate – it’s very pretty!

I also went on a one-day course at the National Library, where I learned a bit about how the Library is organised and the features it offers. I saw all sorts of old manuscripts, including some medieval choir books, in which the monks had drawn funny faces to amuse the altar boys during long services. I also read some very cute correspondences between author Muriel Spark and her artist friend, Penelope Jardine. These two were such avid fans of a British TV soap drama that, whenever one of them had to miss an episode, the other would write a detailed description of the programme, including describing the advert breaks!

I’ve been back at university doing a Masters in Information and Library Studies (yesterday was the last day of teaching), and it’s been absolutely fantastic. I’ve made many new friends, learned all sorts of skills, and become a better person. Yesterday, as a fun, last-day exercise, we were asked to take what we’d learned from the course and, in groups, create a design for a library, assuming we had unlimited resources. My group decided to create the University of Mars Academic Library. It included anti-gravity elevators, a virtual reality holodeck, vacuum partitions to block sound waves and allow for quieter study areas, book-retrieval drones, lots of plant life for oxygenation and a scream-into-the-void balcony for finals week! It was a super fun activity, and I’m a little sad that the course is practically over (except a few final submissions and the summer dissertation).

University of Mars Library

“In the University of Mars Library, no-one can hear you scream”

As part of my Masters, I also completed a placement in the Music Library at the Edinburgh Central Library, where I was reclassifying their collection to follow Library of Congress subject fields. It was really fun, and I got the opportunity to attend a staff meeting and design a display for International Women’s Day. The reclassification project is very time consuming, and it wasn’t possible for me to do the full collection within my eleven-week placement. But, excitingly, they have agreed to keep me on to continue the project, so I get to continue gaining Music Library experience, which is totally awesome!

It seems a little surreal how many amazing experiences a single year can offer. I am excited to discover what the next year holds!

Piano at the Skypark: the Local Network

I was recently invited to play the piano for an art exhibition at Skypark business centre in Glasgow! How did it happen? Well…Kirsty Morgan playing white grand piano at Skypark

If you remember, a wee while ago, I played keyboard for the Milngavie-based Henry Ford Band on their debut album, The Angry Young Man. That album’s available to listen to on Spotify, by the way, and to purchase on iTunes and Amazon music. At some point I believe there will be a CD released, although I’ve yet to hear further details about this.

Anyway, a couple of local artists, Carla Faulkner and Seana Doherty, were looking for a pianist to play a baby grand piano at the opening of their new exhibition and Geoff Foord, the Henry Ford bassist, suggested that I might be interested, and gave them my details.

Happily, I was available that evening, and since the artists were perfectly willing to give me free rein choosing the music, I felt that this was a feasible task and amazing opportunity. I selected a collection of twenty-or-so Pamela Wedgwood pieces: mostly New Age, smooth jazz background music with a few more upbeat jazzy numbers thrown in, for contrast. They are all pieces I already knew and regularly play for fun, so didn’t require too much preparation, the most difficult being Grade 6 level.

The day (Thursday 31st Jan) arrived, and I was excited. After university finished for the day, I walked along to the Skypark – and, thanks to Google Maps, I only got lost once! The foyer was beautifully decorated with Carla and Seana’s artwork, and the baby grand was lovely. Having had less experience playing grand pianos than uprights, I always find I need to adjust my playing for them. The keys on grand pianos tend to have more resistance and the sound comes from further away, making the instrument trickier to play fast and it is slightly harder for me, as the player, to hear the music in a noisy area. But the grand piano also gives a fuller sound and (as another less relevant point in its favour) is easier to record because you just have to set up microphones at the holes in the soundboard.

I played for almost the entire three hours of the exhibition, with a ten-minute break midway though to warm up away from the door (it was snowing outside!) and eat one of the delicious cupcakes that were provided. Even although I knew the pieces well, playing in a public setting is very different from playing at home. I tried to retain my concentration, but kept getting distracted by the action in the room – it’s probably just psychological, but I felt that any time a person came over to view the pictures behind me, I had to concentrate more to avoid making mistakes. There were also some little children at the event who were excited by the piano, which was adorable!

I did discover that my playing stamina has deteriorated slightly since I finished practicing for piano exams. Where before I was able to play non-stop for five hours, on Thursday only playing for three was pretty much my limit. A couple of songs before the end, I was finding my eyes were struggling to focus on the music and when I got home I fell asleep almost instantly.

That said, even although the playing was intense, it was an amazing opportunity that I really enjoyed. I’ve always fancied the idea of playing background music; I love it when there’s a pianist at restaurants, it makes me want to join in! Having now had the opportunity to try it out, I’ve developed a greater appreciation for the endurance of those players; but I’d also like to play in a similar setting again at some point. The event coordinator at Skypark did ask for my details, so we’ll see if anything comes of that, I guess.

All in all, the experience was super fun and a really great night. Thanks to Carla and Seana for inviting me, and to Geoff for advocating for me in the first place. I’ll leave you with a Pam Wedgwood piece I recorded earlier. Enjoy!

Advent Calendar #2: Away in a Manger

I know I’m cheating with this one, since I recorded it several years ago, but I’m running out of time and, when questioned about what she wanted her carol to be, my sister Jenny immediately responded that she wanted Away in a Manger – both the American and British versions. She did offer an alternative when I told her I’d already created that, but here we are less than a week before Christmas, with nothing recorded, so, here you go Jenny! Your first choice.